Historical Bows As big name makers such as Sartory, Peccatte, Tourte, etc. are continually raising in value and are pushed out of the the price range of most working musicians. However, a repaired or incomplete example may be obtained for a fraction of the price. I anticipate that within the next decade we will see …
I have a huge passion for sharing with those working on bows around the world, especially those of atypical countries, and have made a wonderful connection with Jack Estephan of Lebanon. Though his country is in a dire state at the moment, Jack continues to pursue his passions in music. It’s an honor to have an international bow maker featured here sharing his insight on camber.
I've recently had a lot of people show interest in bow making tools. So this article is the start of a short series of an in-depth look at the main tools that bow makers use.
A violin bow was recently brought into the shop for some rehabilitation. Both holes for the screw and button, including the nipple, needed to be bushed and remade. The process is explained in detail here.
Over time, the eyelet in the frog can become worn out and needs to be replaced. After several replacements the threads in the frog that the eyelet screws in to can become worn out as well. This Bausch violin bow has been well loved and well used over the years and needs a frog bushing.
We've been busy creating some new and exciting content and can't wait to share it with everyone. In the meantime here are the top 5 of the most read articles over the past year.
The winding on a bow is designed to protect the stick and give the bow adequate weight and balance. There are several consideration when replacing a winding and grip.
Have you ever had the eyelet strip or have the button become difficult to turn on your bow? I freaked the first time I experienced this as a student, fearing that something might be catastrophically broken. Almost in tears, it came as comforting news that the screw and eyelet is designed to have a service life and meant to be replaced over time.
The following outlines the procedure for a headspline which reinforces a broken head with a thin strip of pernambuco inserted in the opposite direction of the grain in the stick. This type of repair when executed well can last indefinitely and restore many, if not all, the playing characteristics of the bow
The following is the process I take to make most of my cutters. Here I describe the making of a cutter to form the nipples on the end of the stick for the button seat on. Also, a little info about available lathes.