Historical Bows As big name makers such as Sartory, Peccatte, Tourte, etc. are continually raising in value and are pushed out of the the price range of most working musicians. However, a repaired or incomplete example may be obtained for a fraction of the price. I anticipate that within the next decade we will see …
Over the past few years, I have had the wonderful pleasure of working with Eliot Heaton, Concertmaster of the Michigan Opera Theatre and Des Moines Metro Opera, and his bows. The way that Eliot shapes phases and uses his bow is inspiring to any bow maker and much can be learned from such high caliber musicians. We welcome him here on our blog, sharing some insight on how he draws insight from the human voice to produce thoughtful, vocal-like phrases.
"Bow Bugs" are carpet beetles that find their way into your case. This article describes how to identify and get rid of them.
I have a huge passion for sharing with those working on bows around the world, especially those of atypical countries, and have made a wonderful connection with Jack Estephan of Lebanon. Though his country is in a dire state at the moment, Jack continues to pursue his passions in music. It’s an honor to have an international bow maker featured here sharing his insight on camber.
I've recently had a lot of people show interest in bow making tools. So this article is the start of a short series of an in-depth look at the main tools that bow makers use.
I recently put together a video where I start a freshly rehaired violin bow with rosin. This article links the video and outlines the process.
This is a gallery of some of the latest bows hot off the bench of bow maker Anthony DiMambro.
We've been busy creating some new and exciting content and can't wait to share it with everyone. In the meantime here are the top 5 of the most read articles over the past year.
The winding on a bow is designed to protect the stick and give the bow adequate weight and balance. There are several consideration when replacing a winding and grip.
Players have been turning to carbon fiber bows as backup bows for some time now but more players are turning to carbon fiber for their primary bow. Traditionally the accepted material for bows has been pernambuco but with the advent of new manufacturing technologies coupled with the decrease of production costs has perpetuated carbon fiber to be used in thousands of products, including bows for stringed instruments. Carbon fiber is currently the best synthetic material we have for the construction of acoustic components.