Singing with the Bow

Over the past few years, I have had the wonderful pleasure of working with Eliot Heaton, Concertmaster of the Michigan Opera Theatre and Des Moines Metro Opera, and his bows. The way that Eliot shapes phases and uses his bow is inspiring to any bow maker and much can be learned from such high caliber musicians. We welcome him here on our blog, sharing some insight on how he draws insight from the human voice to produce thoughtful, vocal-like phrases.

Measuring Camber

I have a huge passion for sharing with those working on bows around the world, especially those of atypical countries, and have made a wonderful connection with Jack Estephan of Lebanon. Though his country is in a dire state at the moment, Jack continues to pursue his passions in music. It’s an honor to have an international bow maker featured here sharing his insight on camber.

Top Articles of 2019

We've been busy creating some new and exciting content and can't wait to share it with everyone. In the meantime here are the top 5 of the most read articles over the past year.

Carbon Fiber Bows

Players have been turning to carbon fiber bows as backup bows for some time now but more players are turning to carbon fiber for their primary bow. Traditionally the accepted material for bows has been pernambuco but with the advent of new manufacturing technologies coupled with the decrease of production costs has perpetuated carbon fiber to be used in thousands of products, including bows for stringed instruments. Carbon fiber is currently the best synthetic material we have for the construction of acoustic components.