One of the merits of living in the 21st century is that there is now a plurality of perspectives that musicians can draw upon when playing works of the 17th and 18th centuries. One only has more to gain in exploring this repertoire with a baroque bow. This is not a matter of right or wrong, but why not?
Duncan Harris is a luthier and bow maker based in Ann Arbor, Michigan. We welcome him with his first guest article about keeping your strings clean for a better sound.
The scene is a common one. You go to practice your violin, viola, or cello, all the pegs have slipped and the strings are laying on the fingerboard. You try to tune it up and the bridge is leaning and all crooked, or worse, it just popped off. Now what do we do?